Maria Alessandra Rezza

瑪利亞·亞歷山德拉·蕾札(Maria Alessandra Rezza)以優異成績畢業於拉蒂納雷斯庇基音樂學院(O. Respighi Conservatory in Latina),取得聲樂學位,並於該校獲頒榮譽優等及特別嘉許之鋼琴演奏文憑。其後,她赴薩爾斯堡莫札特音樂大學(Mozarteum in Salzburg)深造。蕾札曾於多項國際知名大賽中榮獲首獎,包括「布塞托市威爾第之聲國際聲樂大賽」(Voci verdiane – Città di Busseto)、「馬西尼國際聲樂大賽」(G. Masini in Reggio Emilia)、「卡尼利亞國際聲樂大賽」(Maria Caniglia in Sulmona)、「贊多奈國際聲樂大賽」(Riccardo Zandonai in Riva del Garda),以及於華盛頓舉辦之「多明哥世界歌劇大賽」(Operalia)。

於「威爾第之聲大賽」勝出後,她於布塞托威爾第劇院首演《路易莎·米勒》(Luisa Miller)標題角色,由此展開歌劇生涯。她曾於帕爾馬皇家劇院飾演《遊吟詩人》(Il Trovatore)之萊奧諾拉,並在里卡多·密提(Riccardo Muti)指揮下,參與米蘭斯卡拉歌劇院(Teatro alla Scala)赴日本巡演之《命運之力》(La forza del destino)。此後,她先後於羅馬歌劇院等劇院首演《埃爾納尼》(Ernani)之埃爾維拉、《麥克白》(Macbeth)、威爾第《安魂曲》(Messa da Requiem),以及《假面舞會》(Un ballo in maschera)。

蕾札常年受邀於義大利及國際頂尖劇院演出,包括的里雅斯特威爾第劇院(演出《遊吟詩人》、《教堂謀殺案》)、杜林皇家劇院(演出《命運之力》、《假面舞會》、《埃爾納尼》、《安德烈·謝尼哀》)、帕爾馬皇家劇院(演出《遊吟詩人》、《命運之力》、《倫巴底人》、《阿提拉》)、卡塔尼亞貝利尼劇院(演出《鄉村騎士》、《假面舞會》、《埃爾納尼》、《卡桑德拉》)、威尼斯鳳凰劇院(演出《納布果》)、維羅納愛樂劇院(演出《埃爾納尼》)、博洛尼亞市立劇院(演出《納布果》),以及羅馬歌劇院、維羅納露天劇場、巴勒摩馬西莫劇院、柏林德意志歌劇院(演出《歡樂的歌女》、《命運之力》、《假面舞會》)、蒙彼利埃歌劇院、布魯塞爾皇家鑄幣局劇院、巴塞隆納利塞奧大劇院、尼斯歌劇院,並至索非亞、哥德堡、埃森、法蘭克福、聖加侖、列日、帕爾馬馬略卡、梅諾卡、東京等地的劇院,以及貝爾加莫、阿旺什、薩沃林納、布達佩斯等國際音樂節登台。

蕾札的歌劇劇目極為廣泛,包括《遊吟詩人》、《唐·卡洛》、《路易莎·米勒》、《萊尼亞諾戰役》、《命運之力》、《麥克白》、《納布果》、《假面舞會》、《阿提拉》、《埃爾納尼》、《倫巴底人》(她於 2003 年帕爾馬威爾第音樂節之演出獲頒當季最佳女高音托西獎 Tosi Prize)、《諾瑪》、《費多拉》、《安德烈·謝尼哀》、皮澤蒂《教堂謀殺案》、《梅菲斯特費勒》、《歡樂的歌女》、雷斯庇基《沉鐘》(亦發行 CD 錄音)及《鄉村騎士》。在室內樂與音樂會領域,其代表作包括理查·史特勞斯《最後四首歌》、雅納切克《格拉高利彌撒》、華格納《威森東克歌曲集》及貝多芬《第九交響曲》(曾於法蘭克福舊歌劇院及漢堡音樂廳演出)。

其近年重要演出包括:於萊切波利泰阿瑪格雷科劇院、慕尼黑巴伐利亞國家歌劇院及泰爾卡斯基金會巡演劇院演出《納布果》;於首爾藝術殿堂(韓國國家歌劇院)、皮亞琴察市立劇院及博爾扎諾城市劇院演出《麥克白》;於卡塔尼亞貝利尼劇院演出《卡桑德拉》與《遊吟詩人》;於呂貝克城市劇院演出《麥克白》;於特拉帕尼七月音樂節及盧布爾雅那歌劇院再度演繹《納布果》;以及於諾瓦拉柯西亞劇院演出《諾瑪》。

她現任羅馬聖西西莉亞音樂學院(Santa Cecilia Conservatory in Rome)聲樂教授。2008 年 12 月,她獲頒「朱塞佩·威爾第」特別貢獻獎,以表彰其作為全球威爾第聲樂藝術大使的卓越成就。

Maria Alessandra Rezza graduated with honors in singing from the O. Respighi Conservatory in Latina, where she also earned a diploma in piano with honors, honors, and honorable mention. She furthered her studies at the Mozarteum in Salzburg. She has won international competitions such as the “Voci verdiane – Città di Busseto”, the “G. Masini” in Reggio Emilia, the “Maria Caniglia” in Sulmona, the “Riccardo Zandonai” in Riva del Garda and the “Operalia Placido Domingo” competition in Washington. After winning the Concorso Voci Verdiane, she made her debut as Luisa Miller at the Teatro Verdi in Busseto. She performed Leonora in Il Trovatore at the Teatro Regio in Parma and, in La forza del destino, participated in La Scala's tour of Japan under the direction of Riccardo Muti. This was followed by debuts as Elvira in Ernani, Macbeth, Verdi's Messa da Requiem, and, at the Teatro dell'Opera in Rome, in Un ballo in maschera.


Alessandra Rezza is a regular guest at the main Italian and foreign theatres: the Verdi in Trieste (Trovatore, Murder in the Cathedral), the Regio in Turin (The Force of Destiny, A Masked Ball, Ernani, Andrea Chenier), the Regio in Parma (The Trovatore, The Force of Destiny, The Lombards at the First Crusade, Attila), the Bellini in Catania (Cavalleria rusticana, A Masked Ball, Ernani, Cassandra), La Fenice in Venice (Nabucco), the Philharmonic in Verona (Ernani), the Comunale in Bologna (Nabucco), the Opera in Rome, the Arena in Verona, the Massimo in Palermo, the Deutsche Oper in Berlin (The Gioconda, The Force of Destiny, A Masked Ball), the Opéra de Montpellier, La Monnaie in Brussels, the Liceu in Barcelona, ​​the Opera in Nice, the Theatres of Sofia, Gothenburg, Essen, Frankfurt, St. Gallen, Liège, Palma de Mallorca, Minorca, Tokyo, the Festivals of Bergamo, Avanches, Savonlinna, Budapest. Alessandra Rezza's repertoire includes Il trovatore, Don Carlos, Luisa Miller, The Battle of Legnano, La forza del destino, Macbeth, Nabucco, Un ballo in maschera, Attila, Ernani, I lombardi alla prima crociata (whose performance at the 2003 Verdi Festival in Parma earned her the Tosi Prize as best singer of the season), Norma, Fedora, Andrea Chénier, Pizzetti's Murder in the Cathedral, Mefistofele, La gioconda, Respighi's La campana sommersa (also recorded on CD), Cavalleria rusticana. The chamber and concert repertoire is extensive, with highlights including Strauss's Vier Letze Lieder, Janacek's Glagolitic Mass, Wagner's Wesendonk Lieder, and Beethoven's IX Symphony, performed at the Alte Oper in Frankfurt and the Musikhalle in Hamburg.
Recent engagements include Nabucco at the Politeama Greco in Lecce, the Bayerische Staastoper in Munich, and the Tercas Foundation theater circuit; Macbeth at the Seoul National Opera, the Municipal Theater in Piacenza, and the Staadtheater in Bolzano; Cassandra and Il Trovatore at the Teatro Massimo Bellini in Catania; Macbeth at the Staadtheater in Lübeck; Nabucco again at the Luglio musicale Trapanese and at the Ljubljana Opera; and Norma at the Teatro Coccia in Novara.

She is currently a singing teacher at the Santa Cecilia Conservatory in Rome. In December 2008 she was awarded the “Giuseppe Verdi” Prize for her career as an ambassador of Verdi singing in the world.

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